“only for everything to disappear,” Puppies Puppies (Jade Guanaro Kuriki-Olivo), co-published by moCa Cleveland, Remai Modern and Kunsthaus Glarus, 2024.

“Host,” curatorial essay for 2023 Bonavista Biennale: Host, co-authored with Ryan Rice, 2024.

“Those Days, These Days,” essay on the work of Jordan Danchilla, Art Placement Gallery, Saskatoon, 2022.

“Sesame, open yourself,” essay on the work of Julie Oh, Kenderdine Art Gallery, University of Saskatchewan, 2022.

“Keep Your Images Close: Sara Cwynar in conversation with Rose Bouthillier,” Sara Cwynar: Glass Life, Aperture, 2021.

“Tolerance of Ambiguity,” Walter Scott: Tolerance of Ambiguity, Latitude 53, 2020.

“Plague” on Puppies Puppies (Jade Kuriki Olivo), Halle für Kunst Lüneburg, 2019.

“Zadie Xa: multi/inter/extra,” CURA., No. 31, Summer 2019.

“Anni Albers & Dirk Nowitzki Walk Into a Bar,” Art Criticism & Other Short Stories, edited by Helen Reed, Blank Cheque Press, 2019 (originally commissioned for Hazel Meyer: Walls to the Ball, ARTSPACE, 2012).

“Hot Spells: Image and Environment in the work of Laura St. Pierre,” BlackFlash, issue 36.1, 2018.

“Curatorial Correspondents” round table with Michelle Grabner, Defne Ayas, Fernanda Brenner, Diana Campbell Betancourt, Rose Bouthillier, Reem Fada, Snejana Krasteva, Carol Linghua Lu, Piper Marshall, Souzana Sousa, and Chen Tamir, An American City: Volume l, FRONT International: Cleveland Triennial for Contemporary Art/Cleveland Museum of Art, 2018.

“Connecting on a cellular level: an interview with Faye HeavyShield,” Remai Modern online, December 3, 2018.

“Jessica Eaton: MFO5,” Foam Magazine, Issue 49: Back to the Future, 2018: 100.

“under different clouds,” Scott Olson, Cleveland Museum of Art, 2018.

“Rochelle Goldberg: Everything that goes under,” CURA., No. 25, Summer 2017: 142-144.

“Ways of Thinking,” essay on Troy Gronsdahl, aka artist run centre, 2017.

“On Shifting Ground and Topsoil,” essay on Blaine Campbell: Cyclorama, Art Gallery of Alberta, 2017.

“Dear Brian Morgan,” Sculptures for the Blind, Lenka Clayton and over 100 contributors, J&L Books, 2017.

“Whitney Biennial 2017,” review, C Magazine, issue 134, Summer 2017: 60-62.

“Annie MacDonell: Modifying the Visible,” BlackFlash, issue 34.2, Spring 2017: 50-56.

“Kevin Beasley: Energy Accumulates,” CURA., No. 22, Summer 2016: 112-125.

“On Shifting Ground and Topsoil,” Blaine Campbell: Cyclorama, Art Gallery of Alberta, 2017.

“Stranger” on Valérie Blass, Sascha Braunig, Antoine Catala, Ian Cheng, Cécile B. Evans, Andro Wekua, Lynette Yiadom-Boakye, Stranger, moCa Cleveland, 2016.

“From inside,” Xavier Cha: abduct, moCa Cleveland, 2016.

“Sascha Braunig,” CURA., No. 20, Fall 2015.

“movement power nomenclature weight pressure free,” Tony Lewis: free movement power nomenclature pressure weight, moCa Cleveland, 2015.

“Institute for New Feelings, FELT BOOK, SPACES, Cleveland,” review, Arthopper online, March 24, 2015.

How to Remain Human, moCa Cleveland, 2015:

“Introduction” with Megan Lykins Reich

“I Will Always Create: An Interview with Jae Jarrell”

”Prelude” on Cara Benedetto

"Queasy And Unsure, Happy And Afraid: An Interview with Harris Johnson”

"Soft Things” on Dylan Spaysky

”In Singularity” on Mary Ann Aitken

“Things Love,” Kirk Mangus: Things Love, moCa Cleveland, 2014.

“Adult Supervision,” Michelle Grabner: I Work From Home, moCa Cleveland and Mousse Publishing, 2014.

“Jerry Birchfield: Mr. In-Between, William Busta Gallery, Cleveland,” review, Arthopper, 2/12/2015.

“Sara Cwynar: Flat Death, Foxy Production, New York,”  review, C Magazine, issue 123, summer 2014: 55-56.

“Epilogue,” Corin Hewitt: Seven Performances, moCa Cleveland and Mousse Publishing, 2014.

“Alivia Zivich: Fat Hacker, Cave, Detroit,” review, Arthopper online, December 20, 2014.

“2013 Carnegie International, Pittsburgh,” review, C Magazine, issue 120, Winter 2013: 56, 65.

Realization is Better than Anticipation, moCa Cleveland, 2013:

“Foreword” with Megan Lykins Reich

“Life & Work on Pepper Ridge Road” on Leza McVey

“One thing, then another, and: an interview with Jerry Birchfield”

“Reverend Albert Wagner”

“Julia Dault, Jessica Bradley Annex, Toronto,” review, C Magazine, issue 118, summer 2013: 41-42.

“The Working Body,” Kate Gilmore: Body of Work, moCa Cleveland, 2013.

“Althea Thauberger, Susan Hobbs Gallery, Toronto,” review, C Magazine, issue 114, summer 2012: 52-53

“Jessica Eaton: STRATA, Red Bull Projects, Toronto,” review, C Magazine, issue 110, summer 2011: 42-43

“Daniel Barrow: Good Gets Better, Jessica Bradley, Toronto,” review, frieze, April 2011, issue 138: 152.

“Chasing Napoleon, Palais de Tokyo, Paris,” review, esse, Autumn 2010, issue 70: 72-73.

“An Invitation to an Infiltration, Contemporary Art Gallery, Vancouver,” review, frieze online, 2/23/2010.